Before I knew shit about Romero and the original Dead trilogy, there was only one sequel I knew to Night of the Living Dead, and that was Return of the Living Dead(1985). As I would come to find out further down the road, Return wasn't a real sequel as much as an homage or a piggybacking off of Romero's earlier zombie works, much like most of the Italian zombies works from the 70's and 80's. Even after hearing this news I still didn't give a fuck. Return of the Living Dead is still one of my favorite horror movies of all time, despite the camp, no matter how many horror purists chastise me for loving it.
It also has one of the best soundtracks of all time. Sure, it's not composed by Goblin and Morricone, but there aren't that many OST's out there that have such a great line-up of 80's "punk" royalty. The Cramps. TSOL. 45 Grave. Throw in some goth/death rock and a little weirdness from Roky Erickson and your good to go. You can't deny this is classic shit. And thanks to the power of Youtube, I am able to provide you, the general public, with the kick ass soundtrack to drown out an hour of work day sorrows.
(Bear with me.I'm trying to put this in the correct order as seen on the OST but I'm getting different listings from different sources)
1. Take a Walk - Tall Boys
2. Dead Beat Dance - The Damned
3. Burn the Flames - Roky Erickson(for some reason, Youtube doesn't have this song in it's entirety, dammit!!)
Since falling in love with the doc Not Quite Hollywood the other day, I have become obsessed with the idea of tracking down as many of the movies covered as I can. As I explained in that review, I'm not well versed in Ozploitation, but I sure as hell want to be. With so much to choose from, I wanted to start off my obsessive sequence of Aussie reviews with the movie that grabbed at me the most, and also because it was one of the last films covered. According to the industry specialists, it is also considered the last big Ozploitation film before the movements death at the hands of the straight-to-video industry. If you've seen the documentary, or read the title of this blog entry, you most likely know that I am talking about Dead End Drive-In(1986).
Dead End Drive-In takes place in a bleak future, I guess some people might refer to it as "Dystopian", although the only "planned and structured society" seems to take place in small, controlled areas, namely drive-in theaters. This isn't common knowledge though, as we can see from the ignorance of our hero, Jimmy, known affectionately as Crabs. It's hard to tell if crabs is an idiot, or just a really good guy. Society is crumbling around him, but he spends most of the time jogging and boxing. Despite the fact that he can't go anywhere in Sydney to deliver pies without run-ins with the punker gangs, known as carboys. Carboys are your typical muscle-car bullies. When they aren't harassing people on foot or in compact cars, they can be seen scavenging parts from wrecks and abandoned cars. Not exactly the friendliest of people.
After a couple of run-ins with the carboys, Crabs decides taking his girlfriend, Carmen, on a date to the drive-in is a good idea, even though society is crumbling around him. In order to impress his runaway girlfriend, Crabs steals his brother's '56 Chevy. Being typical hormonally-driven teens, the two kids ditch paying attention to the flick and move straight into bumping uglies in the back seat. Wrong move. Just as things started getting heavy, both back tires are stolen, rendering the Chevy incapable of movement. Must be the carboys again, right? Wrong, it looks like the cops are trying to get a piece of the scavenging action too, but not for the same reasons. When Crabs wakes up in the morning, he discovers that he's not the only one stuck at the drive-in. There are close to 200 youngsters living in the theater parking lot like it was some kind of permanent Phish lot, and none of them seem to want to escape. Crabs doesn't get it, and keeps up living a healthy lifestyle despite the punk rock parking lot party that is a constant around him. At this point everybody, including Carmen, has come to except that watching movies and eating junk food is their future, no matter how concentration-like there new life is. Crabs ain't going out like that though, and will do whatever it takes to get out, even kill.
Despite his clean living, I felt the Crabs must have been one of the biggest, fucking idiot I've seen in a movie. Despite being told time-and-time again he wasn't going anywhere, he didn't get it, and I don't think it was just blind determination. I really think his IQ was somewhere in the lower, yet functional, double-digits. No matter how many times he was told, even by his girlfriend, to "relax and have fun, you're not going anywhere" he refused. I think he genuinely believed if he had tires and gas, the drive-in prison actually had an open door policy. Besides, why would he ever want to leave? Society is crumbling on the outside, and he can live of life of junk food, drugs, and drive-in movies. This doesn't sound too bad to me. It actually sounds like the perfect way to spend my time as society goes apocalyptic. Granted, I don't think I could ever go all white power when the Asians are all bussed in, like everybody else did, even the black prisoners(?), but these things happen. That's why it's best to stay out of politics when shit hits the fan.
My first Aussie flick, after seeing Not Quite Hollywood, was completely worth the time I took away from Facebook and the boobtube. I had everything I expected(punks, car chases, sexytime and explosions) and even a little more I didn't expect(racism and heroic idiocy). This is definitely one of those movies I'm going to pass off to friends who have seen the documentary, and I'll probably even watch it with them.
Substack and the Price of Independence
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*300 (2007)*
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I have changed just about all my profile names and such since I was last on
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Dear Lair Readers,
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(2013, Dir. by Adrian Garcia Bogliano.)
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*TV Spot*
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Sorry, I've been away for ages - a few problems led to me to lose the love
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Just a head's up for you guys. =)
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[image: eugenie_large]
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One of (if not the) most evilly influential women in music is now on
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Horror Blogger Awards
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